Medieval Arabic female poets
In the surviving historical record, medieval Arabic female poets are few compared with the number of known male Arabic-language poets. Within Arabic literature, there has been "an almost total eclipse of women's poetic expression in the literary record as maintained in Arabic culture from the pre-Islamic era through the nineteenth century". However, there is evidence that, compared with the medieval poetry of Europe, women's poetry in the medieval Islamic world was "unparalleled" in "visibility and impact".[1.1] Accordingly, since the beginning of the twenty-first century, scholars have emphasised that women's contribution to Arabic literature requires greater scholarly attention.[2][3.1][1.2]
Attestation
[edit]The work of medieval Arabic-language women poets has not been preserved as extensively as that of men, but a substantial corpus nonetheless survives; the earliest extensive anthology is the late ninth-century CE Balāghāt al-nisāʾ by Ibn Abī Ṭāhir Ṭayfūr (d. 280/893).[4] Abd al-Amīr Muhannā named over four hundred female poets in his anthology.[1.1] That much literature by women was once collected in writing but has since been lost is suggested particularly by the fact that al-Suyuti's 15th-century Nuzhat al-julasāʼ fī ashʻār al-nisāʼ mentions a large (six-volume or longer) anthology called Akhbar al-Nisa' al-Shau‘a'ir containing "ancient" women’s poetry, assembled by one Ibn al-Tarrah (d. 720/1320). However, a range of medieval anthologies do contain women's poetry, including collections by Al-Jahiz, Abu Tammam, Abu al-Faraj al-Isfahani, and Ibn Bassam, alongside historians quoting women's poetry such as Muhammad ibn Jarir al-Tabari, Yaqut al-Hamawi, and Ibn 'Asakir.[3.1]
Medieval women's poetry in Arabic tends to be in two genres: the rithā’ (elegy) and ghazal (love-song), alongside a smaller body of Sufi poems and short pieces in the low-status rajaz metre.[3.2] One significant corpus comprises poems by qiyan, women who were slaves highly trained in the arts of entertainment, often educated in the cities of Basra, Ta’if, and Medina.[5] Women's poetry is particularly well attested from Al-Andalus.[6]
References
[edit]- ^ Samer M. Ali, 'Medieval Court Poetry', in The Oxford Encyclopedia of Islam and Women, ed. by Natana J. Delong-Bas, 2 vols (Oxford: Oxford University Press, 2013), I 651-54. https://www.academia.edu/5023780.
- ^ Classical Poems by Arab Women: A Bilingual Anthology, ed. and trans. by Abdullah al-Udhari (London: Saqi Books, 1999), p. 13.
- ^ Tahera Qutbuddin, 'Women Poets', in Medieval Islamic Civilisation: An Encyclopedia, ed. by Josef W. Meri, 2 vols (New York: Routledge, 2006), Archived 2014-02-07 at the Wayback Machine.
- ^ Rkia Elaroui Cornell, 'Rabiʾa from Narrative to Myth: The Tropics of Identity of a Muslim Woman Saint' (Ph.D. thesis, Vrije Universiteit Amsterdam, 2013), pp. 7, 32.
- ^ Gordon, Matthew S., 'Introduction: Producing Songs and Sons', in Concubines and Courtesans: Women and Slavery in Islamic History, ed. by Matthew S. Gordon and Kathryn A. Hain (Oxford: Oxford University Press, 2017), pp. 1-8 (pp. 5-6); doi:10.1093/oso/9780190622183.003.0001.
- ^ O. Ishaq Tijani and Imed Nsiri, 'Gender and Poetry in Muslim Spain: Mapping the Sexual-Textual Politics of Al-Andalus', Arab World English Journal for Translation & Literary Studies, 1.4 (October 2017), 52-67 (p. 55). doi:10.24093/awejtls/vol1no4.4.